Showing posts with label The Social Network. Show all posts
Showing posts with label The Social Network. Show all posts

January 10, 2011

2010: The Retrospect: Top 10 Best Movies of the Year

This is it!

We've come to the end. Over the past week and a half, Films From the Supermassive Black Hole has covered everything worth covering about the year that was, from posters, to trailers, to lines. It wasn't the best year there ever was, but, though it was a rare occurrence, everyone found something to enjoy at the movies this year. It was a good year, all in all, so before we finally bid goodbye, I'd like to take the time to make a toast.

Raise your glasses.

To 2010, and the movies it gave us. To the good and the bad. To the socially inept jackasses getting rich. To an epic about dream invasion. To a ballerina slowly losing her mind. To vampire love. To western revenge. To fighters making a comeback. To A-Teams, bank robbers, and foul mouthed superheroes. To rockstars, serial killers, and valiant warriors. To stuttering kings and sentient toys. To wizards. To benders. To lovers. To haters. To rocks. To aliens. To utopias. To computer programs. To lesbian moms. To The Expendables. To video games. To everything else in between. To film!

And, now, the time has come! Here it is, the end all, be all. The definitive list of the year. Here are Films From the Supermassive Black Hole's Top 10 Movies of 2010!


January 5, 2011

2010: The Retrospect: Top 5 Soundtracks/Scores

I'm in the groove here!

Movie soundtracks are awesome, aren't they? They usually do a lot to heighten and intensify the experience of watching a film, and, as a plus, you can take them with you wherever you go, thanks to Apple and their ever present desire to conquer the world! 2010 had some winner soundtracks, and some that just fell flat, and some that didn't stand out or bring anything new to the table at all. The best soundtracks, however, were spectacular. More than any other year, to my recollection, we had popular artists moving over to scoring films, and it paid off wonderfully. Here are the Top 5 Best Soundtracks/Scores of 2010!

5. Scott Pilgrim vs. The World (Beck and Others)
Gonna be honest here, any other soundtrack could have found a place at number five. The top four really spoke to me, but I was left out in the rain searching for a fifth. I eventually settled on SPVTW, which boasts songs written for the film from the likes of Beck, Broken Social Scene and Metric. That's all well and good, but what seals the deal is that this movie is the only one to my knowledge to have the theme song from The Legend of Zelda in it. That's hard to beat.



4. Black Swan (Clint Mansell)
WHAT? IT'S NOT ELIGIBLE FOR BEST ORIGINAL SCORE CONTENTION? BULLSHIT!!!!!!!!! No, really. I'm steamed about that. Though it is based on the actual music of Swan Lake - and it makes sense that it would be - Mansell's score is a truly original piece of work. Beautiful and haunting, it really evokes the craziness and madness that Nina is experiencing. Plus, listening to classical music while someone freaks the hell out is just creepy as balls! That's gotta count for something.



3. Inception (Hans Zimmer)
A traditional-esque score needed to show up on this list at some point, and there was no traditional-esque score this year better than Hans Zimmer's amazing score for Inception. Taking everything he did well with The Dark Knight, and then turning it to 11, Zimmer has crafted a score that is exciting to listen to, giving off a very epic feel, while still feeling shockingly intimate and subdued. Oh, and he has Johnny Marr on guitar. What's not to like?



2. The Social Network (Trent Reznor and Atticus Ross)
This is something really special. Trent Reznor has made some weird music in his time, and, I gotta admit, a lot of it doesn't really appeal to me; I'm not the world's biggest Nine Inch Nails fan. But, I have to say, what Reznor does with Atticus Ross for David Fincher's film is brilliant. When listening to it out of context, you can't fathom how it will fit with Mark Zuckerberg's tale of the founding of Facebook. When paired with the movie though, it fits seamlessly! Evoking such scores as The Dark Knight and Fincher's own Se7en, the music of The Social Network makes the rest of the movie seem a whole hell of a lot grimmer than it actually is. Which is the way it should have been done! Good job Trent!



1. Tron: Legacy (Daft Punk)
Now, this is perfect! Just perfect! Daft Punk's brilliant score for Tron: Legacy not only fits the film like a well worn glove, but it is also the only soundtrack this year that can be listened to outside of the film and still be a complete experience. Mixing traditional, symphonic scoring with their trademark electronic beats and mixes, Daft Punk have crafted a score that's unlike any I've heard. It's truly marvelous!



Well, that does it with the superficial stuff. Now we get into the real meat of The Retrospect. Tune in tomorrow for MVPs of the Year (Actors). It's gonna be lovely! See you then little ones. Get some sleep.

January 4, 2011

2010: The Retrospect: Top 5 Scenes

This is fun, isn't it?

At every movie you go to, there's that one moment that sticks in your mind as you walk out of the theatre. You know, that one scene that just wowed you with whatever excellence it was displaying? You know what I'm talking about. Picking the Top 5 Scenes of a year is always a hard task, since there are so many to choose from. But, I persevered for you like the savior I've deluded myself into thinking I am. Here are the Top 5 Scenes of 2010! (Warning: Possible Spoilers)

5. "Rub the furry wall!!" (Get Him to the Greek)
Easily the funniest sequence of any film this year, this ten-ish minute scene comes right at the beginning of Act 3. Sergio has cornered Aldous and Aaron at some elaborate hotel in Vegas. He proceeds to "mind-fuck" them into oblivion so that they continue on their journey to the Greek Theatre. What follows is a chaotic stew of gunfire, arson, sodomy, adrenaline rushes, all capped off with a mad chase through the hotel hall ways. Funny stuff!

Audio's a little funky on this one...


4. Nina's Freakout (Black Swan)
The punchline before the punchline, if you will. The night before her big opening, Natalie Portman's Nina finally loses any remaining sanity that she had. Starting with a crazed hallucination of a woman stabbing herself in the face, Nina descends into a crazed freakout, seeing pictures move, hallucinating that people are following her, and, to top it off, imagining that she painfully morphs into a massive swan in her room. It's terrifying and memorable scene.

Can't find a clip of it, so here's the trailer, which will suffice.


3. The Lightcycle Battle (Tron: Legacy)
The action scene that gives most other action scenes a run for their money. Though it comes early on in the film, it sets the bar high, and is not topped for the rest of the runtime, despite the fact that everything that comes after it is visually astounding. Once Sam is outed to the world as a user, CLU throws him into the Lightcycle ring, forcing him to engage in heated combat against programs far more powerful than him. It's a beautifully made scene, exciting, with an aesthetic touch unlike anything out there.

Quality on this one's not the best...


2. The Creation of Facemash (The Social Network)
We've all been dumped, I'm sure. It's never a good feeling. We usually retreat to our respective fortresses of solitude, wallow in self pity, until someone comes along an slaps us in the face and tells us to get a grip. Well, most everyone does that. Mark Zuckerberg, on the other hand, goes back to his dorm room, gets drunk, and proceeds to build a website rating the hotness of his female classmates. He'll narrate for us, showing off how much of a hacking genius he is, while many of the girls he is rating are off partying up a storm. Oh, and it'll be set to a song written by Trent Reznor, and it will be one of the most enthralling scenes of the year.

Can't find the actual scene, but this one's pretty cool...


1. The Hamster Wheel Hallway (Inception)
Well, duh! It's the most exciting sequence of the most exciting movie of the year. Cobb and the rest have entered the third level of the dream, leaving Arthur on the second to guard them. Unfortunately, Yusuf's driving on the first level is making this difficult. Yusuf is suddenly forced down a hill, causing the van to tumble wildly. Since the environments of each dream level are effected by the preceding level, this causes the hallways on the second level to suddenly start spinning. Arthur enters into a heated fistfight with a projection in the middle of all this. Pure! Amazing! Awesomeness!

Ignore Jimmy. He's not welcome...


I'm enjoying these. Aren't you? Tune in tomorrow for the Top 5 Soundtracks/Scores of 2010, and be sure to refresh yourself on all the Black Hole's opinions regarding the year that was with 2010: The Retrospect. See you tomorrow younglings. Listen to Yoda.

January 3, 2011

2010: The Retrospect: Top 5 Trailers

Things are starting to heat up. 

Day 3 of 2010: The Retrospect is gonna focus on the most popular part of a film's advertising, the trailer. It's the thing that gets people most excited about upcoming movies, and the aspect of a films production that many film bloggers avoid like it's the plague... or Battlefield Earth. People like going into movies blind, and they have every right to. I, on the other hand, love trailers. Not only do they lovingly tease me with what I'm going to experience, but they also help me decide whether or not I should go see a film. You didn't see a review of Burlesque from me, did you? Maybe its lame trailer had something to do with that. There have been some amazing trailers this year, but only five can make the cut. Sit back. Enjoy. 

5. Tron: Legacy (Comic-Con Footage)
It's not an official trailer, doesn't delve into plot at all, and doesn't reveal anyone involved with the film with the exception of Jeff Bridges. But, that's all technicalities. Even though it wasn't played in theaters, this is the one that got me über excited to see the return of Flynn and all that it would bring. It may be cheating, putting Comic-Con footage on my list of best trailers of the year, but, since when have I played by the rules. Got a problem with it? Talk to the caribou outside. He's wise. 

  

4. The Tourist
So, apparently, the movie actually sucked. Well, that's a shame, because this trailer kicks ass. It's kind of awesome, looks cool, and all that, but you all know why I love it. It's the Muse track that's playing in the background. Oh, advertisers. You have a key to my heart, and I love you so! It's a weird thing though. The last film to have a Muse song in its trailer was disappointing as well, despite having talented people working on it. LE GASP!!! Maybe Muse is cursed... Oh, whatever. Here's the trailer.


3. Inception
Oh, please. What did you expect? The most exciting action movie of the year. Of course the trailer would show up on this list. The music is epic! The imagery is epic! It beautifully tickles you with plot elements and character motivation, while still keeping most everything a mystery. For an example of quality advertisement for a pop product, look no further than this. 


2. The Social Network (IM Trailer)
This one inches past the competition because of its totally bitchin' idea. No characters are shown. No scenes from the film are shown. Just dialogue, shown via a Facebook chat. That's brilliant. It got me excited for the film, and adequately showed how friggin' boss the dialogue of the film was. 


1. Sucker Punch
I could tell you, but why would I do that, when I could show you?


Hope you enjoyed that. Tune in tomorrow for Top 5 Best Scenes of 2010, and be sure to refresh yourself on everything that 2010 had to offer with the Black Hole's 2010: The Retrospect. See you tomorrow kids. Eat your vegetables. 

January 1, 2011

2010: The Retrospect: Top 5 Best Lines

I'm kicking off my ten day retrospective of 2010 with a fun one.

Line delivery is one of the oft-ignored aspects of a performance. A script can suck hard, but a talented actor can hide that fact with great line delivery. Day one of 2010: The Retrospect focuses on just that. Here are the Top 5 Best Lines of 2010 as decided by me and my committee of one from the black hole!

5. "Gator needs his gat, you punk ass bitch!" (Will Ferrel from The Other Guys)
Sure, The Other Guys wasn't that great, but there were some winner lines in it, the best of which is delivered by star Will Ferrell. After having his gun confiscated for performing a "desk pop", Ferrell's Allen Gamble walks around for the entire film carrying a wooden pistol, and then loses that in favor of a rape whistle. Eventually, he's had enough, and, once he's found enough evidence on the huge case he's been working on, he storms into his captain's office, slams his whistle down on the table and... well, you know!




4. "Dating you is like dating a stairmaster!" (Rooney Mara from The Social Network)
In a film that prided itself on stinging dialogue, this line, delivered by Rooney Mara's Erica Albright in the opening moments of the film stung the most! It's a brilliant line, in and of itself, and Mara delivers it beautifully. It really set the bar high, and the film spent a lot time trying to match it. I can't find the actual clip, but here's a segment from the same scene, that adequately shows off her awesome timing!





3. "Not that I care, but you should go talk to her before she's gone. And I really don't care." (Allison Pill from Scott Pilgrim vs. the World)
Allison Pill's Kim Pine is the master of the deadpan. There were so many good moments from SPVTW that showed off her fantastic timing, that I was hard pressed to pick just one. This one is interchangable with any of her lines from the film, but, this one is the best!



2. "Ok you c**ts. Let's see what you can do!" (Chloe Moretz from Kick-Ass)
Ordinarily, a line like this wouldn't cause more than a smirk from me. But, a line like this isn't usually said by an 13 year old girl. In a year where Chloe Moretz surpassed pretty much everyone, her vulgar and depraved performance as a miniature death dispenser made a lot of people take notice. Like I said, it's not every day you hear a minor use language such as that.



1. "Machete don't text!" (Danny Trejo from Machete)
Nuff'' said.



I hope you enjoyed that. There's still plenty more to come. Tune in tomorrow for Top 5 Best Posters, and be sure to come back all week for more of 2010: The Retrospect. See ya then, kids. Always drink your Ovaltine.

October 11, 2010

Matineecast 22: Social Pariahs

Here's my first appearance on Mad Hatter's Matineecast. Let me tell you! This episode was bitch to record. Bad internet at Bard. Files not showing up. Microphone issues. Hatter being a big turkey and not recording for the first hour. Fun times! Even so, we had a great time slogging through the technical difficulties and such as we discussed The Social Network, expectations, and filmic things we are thankful for. I've been jonsing to get in on this podcast for a while, and I had a blast doing it!




October 2, 2010

Broken Social Scene

We live in a digital age. Like it or not, that's the way it is! Cell phones have replaced face to face conversation; e-mail has replaced paper mail; social networks have replaced actual socializing! I would say I don't like this, but who am I to talk? I'm a perpetrator! The Social Network would have you believe that it is simply the story of the creation of Facebook. It is far more then this. David Fincher's astounding new film holds up a mirror to modern day society, showing us all how friggin' dumb we have all become! Though I don't think this is the best movie going experience of the year (that's Inception), The Social Network is, officially, the movie to beat come Oscar time. Shockingly well made, impeccably scripted with career best performances from all involved, this is one piece of pop culture that you need to experience.

Oooo. Bunch of guys looking at a computer screen! Oh, the implications!

July 19, 2010

Trailer Trash: The Social Network

It's time to root through some trailers. What sort of wonderful things will be alluded to today?

This weeks trailer spotlight is David Fincher's The Social Network, starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake. As is well known, it chronicles the story of the creation of Facebook, and the ensuing legal battle that took place as a result. Now, I'm not wise to any sort of legal battle that took place, so, I'll just take the movie at its word in that regard.

Anyway, Eisenberg plays Mark Zuckerberg, the man who created that wonderful time waster. Andrew Garfield plays Eduardo Saverin, Zuckerberg's business partner. Garfield has a lot on the line. This is the movie that will convince me on whether or not he has the chops to pull off that spandex clad web crawler in the ill advised reboot of Spider-Man. Justin Timberlake is Sean Parker, Facebook's first president. Pretty strong looking cast, if you ask me.

So, on to the trailer. Ummm... it's a lukewarm opinion that I find myself having. The movie looks cool, to be sure, but, the only thing that is different is that it's not a voice over. The dialogue is more or less the same as the other previews, but, this time, we actually see the actors saying the words instead of the ingenious IM chat conversation that made up the previous one. So, it doesn't seem to add anything new, but, what was already there looked good to being with. I'm just hoping I'll have time to see it when it comes out, as I will be embroiled in the whole college thing when it does.

On another note, I love the operatic version of Radiohead's "Creep" that is played in the background. That sounds awesome!